Major International Communications Conference to be held in Dublin June 2013

Crises, ‘Creative Destruction’ and the Global Power and Communication Orders

IAMCR 2013 Conference, Dublin City University, Dublin, 25-29 June 2013

The conference theme centres round the concepts of crisis and “creative destruction”, with connotations of historically-rare periods of intensified flux and challenge, accompanied by all-round or multi-dimensional processes of innovation.

Thus, this theme invites reflections and papers addressing whether or how the current deep economic/financial crisis and its attendant gales of “creative destruction” may engender various shifts in the geo-political and communication order. Examples include considerations of whether and how the current crisis may serve to:

.a) Reshape the roles, operations and key features of mediated communication services,institutions and practices, as well as enhancing the role of social media forms and practices;

.b) Amplify tendencies or shifts towards new geo-political configurations, including, including an enhanced role for the communication and cultural industries in the operation of global power and hegemony.

.c) Accelerate change in the nexus of ‘new’ and ‘mature’ media institutions and their associated practices, cultural forms, and and policy frameworks;

.d) Accelerate the search for new and more relevant theories and concepts in the expanding and rapidly diffusing field concerned with the study of mediated communication.

For more information:

http://iamcr2013dublin.com/
Call for papers:

http://iamcr2013dublin.com/call-for-papers

‘Irish Nostalgia as Commodity and Control’ – Miles Link

Miles Link on the use of ‘real Ireland’ nostalgia both as a commodity and as subtle element in the reproduction of class and power structures:

Any prolonged look at Irish popular culture will reveal its status as an elaborate performance. The ‘plastic Paddy’, a show put on for tourists and outsiders, is a well-worn idea, but there is also an interior identity, conceived of as more ‘genuine’, which is performed by the Irish to themselves. Or rather, it is performed to them, since I want to argue that the mass media of Irish television, radio, film and the web, most of what speaks about the Irish as ‘us’ and ‘we’, is not a celebration of some national culture at all. It actually constitutes a way of constructing an Irish identity that serves economic power—what the social theorist and philosopher Theodor Adorno would call ‘the culture industry’.

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